Commence in Closed or Contact Position
| Man | Foot Position | Alignment | Turn | Foot- work | Lead & Shape | Count |
|---|---|---|---|---|---|---|
| 1 | Appel on RF | Facing wall | No turn or slight body turn to L | WF | Commence PP Shape | 1 |
| 2 | LF to side in PP | Moving along LOD, facing DW | 1/8 to L between 1&2 | HF | Achieve PP Shape | 2 |
| 3 | RF fwd in PP and CBMP | Facing DW | Commence to turn R | HF | Maintain PP Shape | 3 |
| 4 | LF back and slightly to side | Backing DW | 1/2 to R between 3&4 | BF | Achieve CPP Shape | 4 |
| 5 | RF to side in Open CPP | Moving along LOD, facing DC | 1/4 to R between 4&5 | HF or BF | With R hand, lead Lady to turn R, then release hold with R hand. Circle L hand very slightly clockwise | 5 |
| 6 | LF fwd and across in CBMP | ” | No turn | HF or BF | Weight change | 6 |
| 7.8 | Repeat 5 and 6 | - | - | HF or BF | Circle L hand again on 7. Weight change on 8, then sharply lower L arm | 7.8 |
| 9 | RF fwd and slightly to side | Facing LOD | 1/8 to R between 8&9 | HF | Commence PP Shape and regain hold with R hand | 1 |
| 10 | LF to side in PP | Moving to centre, facing DC | 1/8 to L between 9&10 | BF | Achieve PP Shape | 2 |
| 11 | RF fwd and across in PP and CBMP | ” | Commence to turn R | HF | Maintain PP Shape | 3 |
| 12 | Close LF to RF | Facing LOD | 1/8 to R between 11&12 | B of both feet or BF | Return to normal hold | 4 |
| ### Note | 11 and 12 are a Promenade Close, therefore other amounts of turn may be used, Man making no turn or 1/8 to L | |—|—|
| Lady | Foot Position | Alignment | Turn | Footwork | Count |
|---|---|---|---|---|---|
| 1 | Appel on LF | Facing centre | No turn or slight body turn to R | WF | 1 |
| 2 | RF to side in PP | Moving LOD, facing DC | 1/8 to R between 1&2 | HF | 2 |
| 3 | LF fwd and across in PP and CBMP | Pointing LOD | 1/8 to R between 2&3, body turns less | HF | 3 |
| 4 | RF fwd | Facing LOD | Body completes turn | HF | 4 |
| 5 | LF to side in Open CPP, then turn underarm on LF to end with RF crossed loosely in front without weight (Spiral turn) | Moving along LOD, facing DW. End facing DC | 1/8 to R between 4&5, then 3/4 on 5 | BF of LF. T of RF | 5 |
| 6 | RF fwd | Facing LOD | 1/8 to R between 5&6 | BF | 6 |
| 7.8 | Repeat 5 and 6 | - | - | - | 7.8 |
| 9 | LF back and slightly to side | Backing LOD | 1/2 to R between 8&9 | BF | 1 |
| 10 | RF to side in PP | Moving to centre, facing DC against LOD | 1/8 to R between 9&10 | BF | 2 |
| 11 | LF fwd and across in PP and CBMP | ” | Commence to turn to L | HF | 3 |
| 12 | Close RF to LF | Backing LOD | 1/8 to L between 11&12 | B of both feet or BF | 4 |
| ### Note | 11 and 12 are a Promenade Close, therefore other amounts of turn may be used, Lady making 1/4 or 3/8 to L | |—|—|
| 1 | Elevation may be used on 12, rising high onto toes |
|---|---|
| 2 | Steps 7 and 8 may be omitted if choreography makes this desirable, the Lady dancing only one spin |
| Gold | Any syllabus figure ended with feet together, facing wall | |—|—|
| Gold | Any syllabus figure commenced with feet together, depending on alignment | |—|—|
Man may lead Lady to dance two more steps (repeating 5 and 6 twice) while his steps and timing remain unchanged.
Lady’s timing: 1 2 3 4 5 & 6 7 & 8 1 2 3 4
Lady may dance her spins as described, or dance a series of small side steps on the balls of the feet