BallroomGuide

Left Foot Variation (Silver) ----------------------------

Commence in Closed or Contact Position

Man Foot Position Alignment Turn Foot- work Lead & Shape Count
1 LF fwd Facing LOD No turn HF Weight change 1
2 RF fwd HF 2
3 LF fwd and slightly leftward HF 3
4 Point RF fwd in line with LF, OP, without weight. L knee flexed Slight body turn to R OE of T Hold position 4
5 Close RF to LF Slight body turn to L WF Commence PP Shape a
6 Point LF to side without weight. R knee flexed To centre, toe pointing DC No turn IE of T Achieve PP Shape 5
7 Close LF to RF Facing LOD BF Maintain PP Shape 6
8 RF to side B or BF Return arms and body to normal position 7
9 Close LF to RF B or BF Weight change 8

Notes

1 This figure may also commence facing DC or DW
2 Beat value 1, 1, 1, 3/4, 1/4, 1, 1, 1, 1
Lady Foot Position Alignment Turn Footwork Count
1 RF back Backing LOD No turn BF 1
2 LF back BF 2
3 RF back BF 3
4 point LF back in line with RF, without weight. R knee flexed Slight body turn to R T 4
5 Close LF to RF Slight body turn to L WF a
6 Point RF to side without weight. L knee flexed To centre, toe pointing DC against LOD No turn IE of T 5
7 Close RF to LF Backing LOD BF 6
8 LF to side B or BF 7
9 Close RF to LF ”: B or BF 8

Notes

1 This figure may also commence backing DC or DW
2 Beat value 1, 1, 1, 3/4, 1/4, 1, 1, 1, 1

Preceding Figures

Silver 1-4 Coup de Pique or Coup de Pique (method b) - Method 1 or 2 of Changing Feet
Gold Syncopated Separation - Twists

Following Figures

| Silver-Gold | Any syllabus figure commenced with feet together, depending on alignment | |—|—|

Suggested Styling

Return arms and body to normal position over 8 and 9. On 8 and 9, a Promenade shape could be retained, or a Counter Promenade shape may be used